7.6/10
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51 user 89 critic

Saraband (2003)

Trailer
1:20 | Trailer
Marianne, some thirty years after divorcing Johan, decides to visit her ex-husband at his summer home. She arrives in the middle of a family drama between Johan's son from another marriage and his granddaughter.

Director:

Ingmar Bergman

Writer:

Ingmar Bergman
2 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
Liv Ullmann ... Marianne
Erland Josephson ... Johan
Börje Ahlstedt ... Henrik
Julia Dufvenius ... Karin
Gunnel Fred ... Martha
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Storyline

Marianne and Johan meet again after thirty years without contact, when Marianne suddenly feels a need to see her ex-husband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss. Staying at a cottage on the property are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds herself unwillingly drawn into a complicated and upsetting power struggle. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for brief nudity, language and a violent image | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Sony Classics

Language:

Swedish | English | German

Release Date:

1 December 2003 (Sweden) See more »

Also Known As:

Saraband See more »

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Box Office

Opening Weekend USA:

$34,304, 10 July 2005

Gross USA:

$645,634

Cumulative Worldwide Gross:

$975,181
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

The film is very autobiographical. The character of Anna is actually Ingrid Von Rosen, Ingmar Bergman's wife, who died of cancer, and was his greatest love. See more »

Goofs

Karin, after fleeing her Father, changes her clothing that day from a white shift to a green singlet to a black singlet with no explanation given for these changes. See more »

Connections

References Fanny and Alexander (1982) See more »

Soundtracks

Symphony no. 9 in D Minor, Movement 2: Scherzo
Composed by Anton Bruckner
Performed by The Swedish Radio Symphony Orchestra
Conducted by Herbert Blomstedt
See more »

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User Reviews

Bergman's last ever film...
10 December 2003 | by CGA_SoupdragonSee all my reviews

When I was a teenager, I watched "Scenes from a Marriage" which was shown on British Television during the early seventies. I became engrossed, as the unrelenting camera stared and recorded the break-up of a doomed relationship. The characters seemed hell-bent on this destruction despite themselves. It was a fascinating, harrowing series and I enjoyed it. I must have done, because I never forgot the impression it gave me. Luckily the BBC kept the original soundtrack, and the show was sent using subtitles. The drama offered in those foreign tongued, angry, desperate conversations was of the highest quality.

Now, over 30 years later, I am in my living room once more watching Johan and Marianne. Only this time I don't need subtitles, as I have since learnt Swedish. :-)

Bergman weaves a tale of vindictive dependence and of a young girl's decision to finally make her own way in life - despite some very powerful forces preventing such a move.

Marianne decides to seek out Johan, meets him and becomes involved in the tug of war over his grand-daughter's future with the girl's father, Johan's depressed son Henrik (wonderfully played by Börje Ahlstedt).

A quiet, intensive film. With an important, pivotal roll for the grand-daughter Karin played by Julia Dufvenius.

Bergman should be proud of this. It's a fine epilogue to a marvelous career in cinema and story-telling.

Bravo!


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